Reviewed: Twin Town [1997]

Twin Town follows the Lewis brothers also known as the the twins (Jeremy and Julian) played by Rhys Ifans and Llyr Ifans- also brothers in real life although only the former has gone on to forge a successful career in the movies (Notting Hill, Harry Potter and the Deathly Hallows: Part 1 cheap dab recyclers , The Amazing Spider-Man [2012]). Put simply they are delinquent layabouts who are renowned locally for their compulsion to steal cars, get into mischief and take as many tokes as they can from all manner of homemade bongs- utilizing everything from shower heads to golf clubs. They live on a caravan site overshadowed by the Swansea industrial works with their parents, sister and dog Cantona (named so after a Welsh football player).

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The plot revolves around a series of confrontations that start as frivolous but soon escalate to serious between the twins and the local big crook as the twins feel their father, Fatty, has been wronged. Throw in bent copper Terry with delusions of grandeur played well by Dougray Scott, a karaoke king, some cocaine and a poodle and you’ve got yourselves the making of an intriguing movie.

The movie unsurprisingly is riddled with Welsh references that some people may be unfamiliar with and understanding the lingo might take a couple of minutes if you have never heard a Welshman before but hang in there as your patience will be rewarded. What I particularly like about this movie is that its rough around the edges and very realistic as you can imagine these types of people existing in the real world.

It’s also well known for containing its high usage of the word f*ck summed up brilliantly with the first line of the movie- “F*cking dead, f*cking dead as f*ck”. It is to Twin Town what alcohol is to Withnail And I. As you can therefore imagine the script is not elegant and may not be to everyone’s liking but there is some good dialogue thrown in to get you laughing and the development of the plot is well thought out occasionally throwing you in the wrong direction and leading to a well concluded climax.

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Breakcore can be hard to define and even musicians and DJs involved in the genre content that “breakcore” is nothing more than an umbrella term used to describe a number of separate styles of music that are related mainly through the mentality of their producers rather than sound. Nonetheless, music typically described as breakcore often exhibits a common “feeling of chaos” with irregular song structures and sudden rhythmic shifts. The most recognizable characteristic of breakcore is its drum programming, which often features a manipulated or processed version of the famous “Amen break” (or another classic jungle drum loop) played back at a high BPM. Melodically, breakcore ranges across a varied musical spectrum with some producers creating electronica-influenced sounds and others using recordings of traditional instrumentation (or a mixture of both).

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